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Deep Blue Sea (1999) Complete Film

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es ist klar eine komplette Beschreibung Deep Blue Sea unten:
  • Originaltitel : Deep Blue Sea
  • Filmtitel in Ihrem Land : Deep Blue Sea
  • Jahr der Film : 1999
  • Genres des Films : Action, Science Fiction, Thriller,
  • Status-Film : Released
  • Ver�ffentlichungsdatum : 1999-07-28
  • Die Unternehmen der Film : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
  • L�nder Film : Australia, United States of America,
  • Sprache des Films : English,
  • Durasi Of film : 105 Min
  • Stimme durchschnittlich : 5.6
  • Youtube ID des Films : gpdab_bi2HY
  • �bersetzung von Film : BG,CA,CS,DA,DE,EL,EN,ES,ES,FR,HE,HU,IT,JA,KO,NL,PL,PT,PT,RO,RU,SV,TR,UK,ZH,ZH,
  • Schauspieler des Films :Aida Turturro (Brenda Kerns), Frank Welker (Parrot Noises (voice)), Daniel Rey (Helicopter Pilot), Brent Roam (Helicopter Winch Operator), Jacqueline McKenzie (Janice Higgins), Michael Rapaport (Tom "Scoggs" Scoggins), Samuel L. Jackson (Russell Franklin), Saffron Burrows (Dr. Susan McCallister), Tajsha Thomas (Friend of Janice), Stellan Skarsgård (Jim Whitlock), Cristos (Boat Captain), Erinn Bartlett (Girl #1), LL Cool J (Sherman 'Preacher' Dudley), Sabrina Geerinckx (Girl #2), Eyal Podell (Boy #1), Valente Rodriguez (Helicopter Co-Pilot), Dan Thiel (Boy #2), Thomas Jane (Carter Blake)
Größer. Klüger. Schneller. Bösartiger.

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Deep Blue Sea ist einer film zur Verfügung gestellt von Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership, besitzen ein Beschreibung des Films "Mitten im Atlantik haben amerikanische Wissenschaftler das Unterwasserlabor “Aquatica” eingerichtet, wo sie medizinische Experimente mit genmanipulierten Haien durchführen. Doch plötzlich entwickeln die Versuchstiere beunruhigende Eigenschaften: Sie werden immer größer, immer intelligenter und immer boshafter. Als ein gewaltiger Sturm über die künstliche Insel hereinbricht, gelingt es den Haien, sich zu befreien. Für die Wissenschaftler beginnt eine Jagd auf Leben und Tod.". Der Film wurde mit hervorragenden grafischen Qualit�t hergestellt, beste Klangqualität und feinsten mit Schauspielern.

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Visual Effects Supervisor : Rebecca Marie, Post Production Supervisor : Ilyse A. Reutlinger, Producer : Don MacBain, Editor : Frank J. Urioste, Sculptor : Jim McPherson, Sound Effects Editor : Jayme S. Parker, Visual Effects Producer : Scott Dougherty, Dialogue Editor : John F. Reynolds, Driver : Rick Kelleher, Stunts : Lesley Aletter, Visual Effects Supervisor : William Mesa, Sound Recordist : Rick Hromadka, Unit Publicist : Peter J. Silbermann, Camera Operator : Leo J. Napolitano, Casting : Christine Sheaks, Script Supervisor : Kelly Moon, Camera Operator : Marc Spicer, Executive Producer : Duncan Henderson, Foley : Kevin Bartnof, Unit Production Manager : Todd Arnow, Music Editor : Will Kaplan, Rigging Gaffer : Ismael 'Izzy' Gonzalez, Production Accountant : Armando Amador, Supervising Art Director : Bruce Crone, First Assistant Camera : Frank Flick, Executive In Charge Of Production : Mark Scoon, Supervising Art Director : Mark W. Mansbridge, Transportation Coordinator : Russell McEntyre, Visual Effects Coordinator : Jack Geist, Standby Painter : Anthony Gaudio, Assistant Director : Thomas J. Mack, Screenplay : Duncan Kennedy, Underwater Camera : Pete Romano, Director of Photography : Stephen F. Windon, Special Effects Supervisor : John Richardson, Assistant Art Director : Nick Navarro, Construction Coordinator : Gary Deaton, Animation Supervisor : Ken Stranahan, Production Illustrator : Harald Belker, Video Assist Operator : Jeff Burrage, Stunt Coordinator : R.A. Rondell, Color Timer : Dale E. Grahn, Camera Operator : Gregory J. Schmidt, Makeup Department Head : Jeff Dawn, Costume Design : Mark Bridges, Camera Operator : Phil Pastuhov, Location Manager : Michael John Meehan, Makeup Artist : Allan A. Apone, Visual Effects Producer : Kristen Branan, Associate Producer : Thomas J. Mack, Animation : Constance Bracewell, Foley : Catherine Harper, Animation : Bruce Pearson, Property Master : Eric J. Bates, Assistant Art Director : David Sandefur, Visual Effects Editor : Lincoln Kupchak, Digital Effects Supervisor : Simon Giles, Executive Producer : Jonathan Schwartz, Producer : Alan Riche, Mechanical Designer : Larry Cheng, Sound Effects Editor : Adam Johnston, Boom Operator : Todd Bassman, Steadicam Operator : Mark Emery Moore, CGI Supervisor : Serge Sretschinsky, Costume Supervisor : James W. Tyson, Storyboard : Gary Damian Thomas, Set Dressing Artist : Chris Adams, Visual Effects Supervisor : Craig A. Mumma, Casting Associate : Cassandra Kulukundis, Associate Producer : Patrick Lynn, Production Supervisor : Anna Roth, Unit Manager : Rafael Cuervo, Additional Editing : Kevin Stitt, Best Boy Electric : R. Gern Trowbridge, Additional Camera : Frederick Iannone, Property Master : Jerry Moss, Hairstylist : Robert L. Stevenson, Visual Effects : Joshua I. Kolden, Digital Compositors : John Rauh, Visual Effects Supervisor : Jerry Pooler, ADR & Dubbing : Hugh Waddell, Production Manager : Anthony Franco, Screenplay : Donna Powers, Visual Effects Editor : Scott Balcerek, Music Editor : Dick Bernstein, Visual Effects Producer : Heather Smith, Original Music Composer : Trevor Rabin, Grip : Gustavo Covarrubias, Producer : Tony Ludwig, Assistant Costume Designer : Karla Stevens Flanigan, Set Decoration : Debra Echard, Visual Effects Editor : Mark Eggenweiler, Leadman : Russell R. Anderson, Supervising Sound Editor : Robb Wilson, Visual Effects Producer : Thomas Boland, Sound Re-Recording Mixer : John T. Reitz, Transportation Captain : Hugo Chew, Special Effects Coordinator : Sergio Jara, Orchestrator : Tom Calderaro, Visual Effects Editor : Kevin Clark, Visual Effects Supervisor : Jeffrey A. Okun, Art Direction : Andrew Rothschild, Producer : Akiva Goldsman, Production Office Assistant : Jason D. McGatlin, CG Supervisor : Douglas R. MacMillan, Aerial Coordinator : David Paris, Set Designer : Bill Taliaferro, Set Production Assistant : Jose Jimenez, Animation : Julie Nelson, Visual Effects Supervisor : Jamie Dixon, Key Hair Stylist : Peter Tothpal, Set Designer : Karl J. Martin, Additional Music : Michael Jay, Sound Effects Editor : Andrew Somers, Visual Effects Editor : Steve Shaw, Electrician : Matt Buchan, Assistant Art Director : Jonathan McKinstry, Production Design : William Sandell, Gaffer : Mick Morris, Still Photographer : Merie Weismiller Wallace, Editor : Dallas Puett, Production Design : Joseph Bennett, CG Supervisor : John E. Sasaki, Screenplay : Wayne Powers, Production Office Coordinator : Francis Meade Warner, Set Costumer : Carrie Bauer, Projection : Tom Ajar, Art Direction : Héctor Romero, Camera Operator : Guillermo Rosas, Set Medic : Sarah Catizone, Executive Producer : Bruce Berman, Set Designer : Javier Nava, Editor : Derek Brechin, Dialogue Editor : Patrick J. Foley, Construction Foreman : William Apperson, Art Department Coordinator : Beth Bajuk, Script Supervisor : Portia Tickell, Rigging Grip : Jonas Juhanson, Assistant Art Director : Ligia Ornelas, Supervising Sound Editor : J. Paul Huntsman, Prosthetic Makeup Artist : Chad Atkinson, Production Sound Mixer : Tim Cooney, Co-Producer : Rebecca Spikings, Director : Renny Harlin, Second Unit Cinematographer : Gary Capo, Utility Stunts : Joey Box, Assistant Sound Editor : Catherine Calleson, Lighting Technician : Bruce Sharp
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Schlagw�rter: shark attack, shark, alzheimer's disease, killer shark, no opening credits,

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